Short Stories
The following complete stories have mostly been written during my time with Biggar Writers, usually based on one of the various writing challenges we set ourselves. At heart I'm a novelist, but I find dipping my toe into other forms interesting, instructive and fun. I've included some explanatory comments next to each piece.
Laura's Return
For the first time ever I find myself working for someone younger than me. Ordinarily this kind of thing, the vicissitudes of working life, the politics of the office, rarely bother me - at least not much. With aging comes a slowly dawning realisation that there's only far so up the slippery pole most of us can climb, and to be overtaken by some of our near contemporaries is perfectly natural. To wit: when that loathsome greaseball Wesley Grimes beat me to a promotion for which I was far more qualified, I lost barely a wink of sleep. The incident had its upsides, like Grimes moving a hundred miles away to another part of the empire and it was highly likely I wouldn't have anything to with him ever again. But this is different. This is someone brought in from yet another branch of the business, and someone who used to work for me. Humiliating. I wasn't even considered for the post. Worse: she's a woman.
Back in the day when she was a girl under me, metaphorically, I had vague aspirations of her being under me in a more literal sense. But they were hampered by the following considerations. One: she was very much engaged to her boyfriend from Uni days. Two: I was engaged myself, and still in that state where I feared the loss of my dearest much more than I was beguiled by the temptations of sexual indiscretion. Third: flouting office protocol could be as dangerous to my (laughable) career as adultery would be to my physical and emotional wellbeing. I might add a fourth caveat: Laura, the lady in question, displayed no obvious signs she found me the least bit attractive in any way.
Nevertheless, our working relationship - though I wouldn't say it thrived - was perfectly tolerable, our personal relations friendly, no more. In truth she was rather rubbish at the job, though her deficiencies I wrote off as understandable, it being her first position after graduating. I had fifteen years of toil behind me at the time. In the two staff assessments I did, I was kindly to her, perhaps a little too kindly. But I felt I had to make allowances for her inexperience. Not that my assessments mattered much, they being a nod and nothing more to the meritocratic regime the company supposedly supported. My boss's assessment of her was more generous, obsequiously complimentary, flattering, bordering on sycophancy, for reasons I failed to fathom. Generally, he - John Wood, wood by name, wooden by nature - was the most hands-off of superiors, the sort of guy routinely out of touch with what was going on at the coal face, as detached and uninterested in his subordinates as it was possible to imagine. Yet. Laura caught his attention, fuelled his interest, and she unwittingly or otherwise enlisted him as her champion. Within a couple of years she was out of my hands and was being whisked away, I assume, to some fast track programme, in which she thrived, seemingly. And now she was back, a couple more years later, in her old mentor's place, still, I assume in the fast lane, and being my gaffer is merely a pit stop on her way to bigger and better things.
"Funny old world," she smiles at the outset of our first meeting in her office.
"No introductions needed," I smile back.
"How are you, Len?" she asks.
I muster a shrug of the shoulders, stifle a sigh, and suggest I'm okay in that very British I could be dead sort of way, which might or might not be a preferable alternative. "You've done well," I add hastily. "Are doing well," finding the flashing smile once more.
"Is it going to be a problem?" she asks, forcefully, direct as hell, devoid of ambiguity. I remember that was her way, always.
"No," I answer instantly. "I'm pleased for you."
I'm genuine; I don't begrudge Laura her good fortune. Simply, my pride is taking a battering, and my latent prejudices are surfacing: she used to work for me. Worse - she's still quite fanciable. What did I expect? I doubt if she's thirty, yet. I sense there might be some difficult moments to come.
"I hear not much has changed since I left," she says after her own long moment of silent reflection. "The section is doing much the same thing in much the same way as always, your team included."
"That's fair comment," I put in.
"Well, it's not going to stay that way for long," she says. "I have my own ideas and there are going to be big changes round here." She smiles. "But I don't want you fretting about your position, Len. My plans include you, very much so. I want you to know that. You're not adverse to a little bit of a shake-up round here."
"Not at all," I agree, though I'm suspicious. I feel like a football manager who's just had a ringing endorsement from his chairman, the sort he receives shortly before being ignominiously sacked. I think positively: she's not going to be around for long. This is a waypoint for her, the necessary exposure and experience (however short-lived) to accrue before moving on, moving upwards. Unfortunately, I've been around long enough to have seen the pattern before, often enough.
She wants to throw an "arriving do", so we all (well, most of us) show up at seven Friday evening in one of the favoured city centre watering holes accustomed to hosting the more traditional "leaving dos". I think there are fifty percent of us who, like me, knew Laura in her previous incarnation as my graduate flunky. I'm sorry to say that some of them are snickering about my supposed ill-fortune of having transformed into her lackey. I let their feeble jibes wash over me, noticing with grim satisfaction they're fearful about making them in earshot of Laura. None of them had been close to her back in the day. Most - aside from me - had suspected she was destined for higher things, that even in those tenderest years of her career she was someone to be wary of. She was already management in their eyes.
I'm cheery, upbeat, positive with everyone, including Laura. She mirrors my demeanour and pretends she's unaware of the bitching going on, not just about me and my fallen circumstances, but about her too. For though the gossip mongers and jibe merchants think they're avoiding her attention I notice they are, after all, failing rather badly. The alcohol makes them reckless and undisciplined, arrogant and bold. I hear it variously asserted that Laura had always been a bitch, a snivelling toady, had had a thing with Woody, or he had had a thing for her, or something, but she no doubt spent plenty of time on her knees (or her back) to get where she is today so quickly. I hope the most offensive of the remarks do indeed fail to reach her ears. I chance a look her way from time to time but I can discern nothing in her visage or posture to suggest she's reacting badly to whatever she is hearing, though it must be nigh on impossible for her to be deaf to everything being said.
Late on, when most of the shameless crew have moved on, she buttons me for a private chat in a corner of the rapidly emptying bar. I offer to get her a drink but she shakes her head shortly. She's hardly drank all night. She's one hundred percent sober, not entirely due to her low alcohol intake. I sense her winding up to lorry-like directness once more.
"Do you agree with them?" she asks.
I consider stalling, being evasive, but I've been uncharitable enough in my own private reflections to go through with a pretence.
"Ignore it, Laura," I advise.
"They're frightened," she suggests. "Do you think they're frightened?"
"Of what?"
"Of me," she clarifies. "That I'm going to sack them all."
I roll my eyes. "Wouldn't blame you if you did," I say, only half in jest. I shrug. "It's hard for them. You've overtaken them and …" I hesitate.
"And I'm a woman," she says, finishing my sentence.
"You certainly are," I say, rather too flippantly.
"I get it," she continues, steel in her voice. Then she looks sharply at me. "I'm so glad I didn't fall for you."
I'm thrown by this sudden personal remark. I plunder my memory banks. Was there ever a time she showed any romantic interest in me? I don't think so.
She looks at me again and blushes. Then she bursts our laughing. "Oh dear," she says. "Sorry. I … I …"
"What?" I demand, my tone imploring but jovial.
She shakes herself. "Oh fuck. Hell. Len, I had a thing for you, you know. Bit of a crush on you. There. There. I've said it."
"Really?"
"Really," she confirms. "But I came to my senses." She laughs.
"And you're glad about that," I remind her. "Now."
She executes a slow, emphatic nod. "Yes. I mean, I wouldn't be here now if I'd lost my head and taken up with you. In this position, I mean. And even if I was, well I need all the help I can get and you wouldn't be in a position to help me if we'd … well, you know."
"You need me?" I wonder. "My help?"
"Oh I do, Len, believe me," she says.
"How can I help?" I ask.
She offers me a smile I take to be warm and genuine, devoid of any coquettish inflections. "I need a friend, Len. I hope we are friends, despite everything."
"Despite nothing," I say. "We are friends."
"But I'm still your boss," she laughs.
"Ah well, that can't be helped," I say.

A little ditty based on a suggestion from Biggar Writers - open a story with "For the first time ever ..." This is my effort, a commentary on office politics, especially the gender issue.

Coronation 2023
When Gabriel returned with a face so glum, his friend and partner wondered if he'd forgotten he was in heaven, and a privileged angel to boot.
"What did the Old Man say?" Michael asked him.
Gabriel's eyes rolled. "He only wants us to put on a show for … you know … one of the difficult ones."
"Which difficult one?"
"The one latterly known as Diana: Princess of Wales," Gabriel sighed.
"Oh?" said Michael, intrigued. Then he frowned. "Hmm, she's one of those that insists on the personal temporal unfolding vision of the cosmos."
"That's her!"
"And where has she got to?"
"April 2023, on Earth. Specifically, England and the upcoming coronation of her ex."
"Oh dear," sighed Michael, staving off a groan. "Is it really her or is it the Old Man?" he continued, whimsically, before proceeding in disgruntled tones he couldn't disguise. "He seems obsessed with 20th and 21st Century England. Race her through it, Gabs. Wave your wand in that subtle manner of yours. She'll never know the difference."
"Can't," Gabriel whined, with the air of someone who'd already considered that option. "The Old Man won't allow it. It's every deceased being's right to experience the afterlife in their own way. He's very hard-line about that, Michael, as well you know."
"Okay, okay," Michael snapped. "What's the mission? What's this show he wants or, rather, she wants."
Gabriel gulped. "To attend - be there - be there at the coronation."
"What? A haunting? Doesn't she know she can't rewrite history?"
"That's the whole point," Gabriel groaned. "To her, it's not history. It hasn't happened yet. And she wants a say in it."
"Doesn't she know dead people don't have a say in things any longer?"
Gabriel shook his head. "She didn't know very much while she was alive, Michael. What makes you think death has improved her cognitive abilities?"
"What?" Michael queried, to himself as much as Gabriel, a hot glare invading his angelic features. "What? She wants to haunt the ceremony, or something ghastly like that. I say we set her down in an empty pew, or whatever, let her feel like she's there, but on no account let her be active. That would be against all the rules and regs. We could do that, I suppose. Bit weird, but …"
"No, no, no," Gabriel hissed. "You're missing the point. She doesn't want to be a passive viewer - she could be that from here - she wants to partake."
"What!" Michael exclaimed. "She can't do that. It's happened. It will happen. It will always happen. What's the matter with her? What does she want? To materialise among them and start screaming at Camilla, It should've been me."
"Now you've got it," Gabriel grinned. "That's pretty much what she wants."
"Impossible," Michael declared. "It didn't happen. She didn't do it. So, it can't be done. Even the Old Man knows that. He made the rules along with everything else. If he'd wanted that kind of shitshow he should have just gone ahead and created one. But he didn't. And now he wants us to indulge that poor, dim lady's fantasy."
"The Old Man was hardly going to create a cosmos where ghosts could flit around willy-nilly, wreaking revenge whenever the fancy took them. Far too complicated," Gabriel explained patiently. "Much easier to put together a little fakery to indulge the deluded deceased, like Diana."
"Ah," said Michael, as enlightenment dawned. "That's what you meant by a show. We pretend to take Diana back to Earth, pretend to let her haunt the coronation ceremony and invent some appropriate havoc for the moment."
"Yep."
Michael frowned, more deeply than before. "There is one serious flaw with your plan," he observed darkly. "We have to leave the true history in place. In fact, we don't have a choice; it's already there. Then, what are we going to do with Diana after she's exacted her revenge on Charles and Camilla. We might have her back here, but she'll be feverishly scanning her portal looking for the fall out, the stories in the papers, the broadcast coverage, the DIANA BACK FROM THE DEAD headlines. And there won't be any, of course. Because it won't and can't happen that way, Gabriel. I sometimes wonder about you and the Old Man …"
"I wonder myself," Gabriel sighed. "Why don't you go and see him next time; why do I have to pick up the jobs?"
"Because you're his favourite," Michael grinned.
The two angels lapsed into silence, both pondering how to put a smile on Dead Di's face over the coronation ceremony. The pyrotechnics were easy enough to achieve for angels of their stature; they wouldn't even have to execute a real dematerialisation. All they had to do was place Diana in the fake copy world right there in heaven, where they'd conjure up a whole parallel scene, with a fake Charles and a fake Camilla and a fake Archbishop and fake everything that Dead Di would expect to see inside a fake Westminster Abbey. They'd allow a bit of chaos, shrieking and screaming, have royal household guards charging the phantom Di before spiriting her away. They'd put the script together later, allowing, naturally, a window for Di to do her spot of haunting.
The real problem, as Michael had intimated, was keeping the illusion intact for as long as they needed to fool Diana completely. They couldn't maintain the illusion (for her) for the rest of eternity, tempting though it was to try. But there was only so much entropy in the universe to go round, and they'd exhaust much of it with the fake coronation ceremony alone. As it stood, they would have to risk a little interference between the world and heaven, so when Diana was staring out of her portal - for a couple of days, say - she'd see she'd had an impact. After that? Well, she was dim enough to fail to notice the join. There was that much they could bank on. Still, it was tricky stuff, messing with reality. Far easier to mess with Diana's head, but the Old Man wouldn't allow that, even if it was a dead head. Besides, she'd suffered enough in that department when she was alive.
It wasn't just Diana's insistence on counting out her time at the rate of 24 Earth hours to a day, day by day - refusing to skip forward or back - that had got her classified as "difficult". It hadn't started well for her, arriving with Dodi Fayed and him insisting he wanted access to the promised vestal virgins. What strange ideas humans harboured about what heaven was going to be like. But implementing the Old Man's dictum that each expired being could have the heaven he or she wanted, Dodi got what he wanted. Diana had been candid about the whole arrangement - Dodi was welcome to his virgins so long as he agreed he'd not spend another second of eternity with her. He chose the virgins and agreed to the bargain and Diana had become instantly exceedingly difficult.
Her temporal demands were the least of it, really; there were others like her in that respect. Fewer shared her demand to continue her eating habits, as if she still had an earthly body to support. She was oblivious to logic: she was dead; she didn't have an earthly body; the food she put in her heavenly body was illusory, like everything else, as she would discover soon enough when her illusory bowels and illusory bladder didn't work. She insisted she felt hungry - at regular intervals. As she insisted she felt alternately hot and cold, as if there was a weather system in play in heaven. She kept demanding new items of wardrobe based on her assessment of the meteorological conditions. Ridiculous! She organised parties, where she gathered some of the other Difficulties and they all spent time together staring through Diana's favourite portal at London West End shows or browsing high class restaurants and ordering the food they spied. She even tried promoting, and engaging in, romantic liaisons, with comic, if not discouraging to her, results. Though she soon discovered it was one thing putting phantasmagorical foodstuffs into your ethereal mouth and pretending you're enjoying a meal, quite another trying to get the phantasmagorical genitals of another dead-un inside you, she tried and tried again. All the angels were far too polite to investigate quite how this particularly fantastic experiment-cum-fantasy turned out, but they agreed that Diana was one of those unlucky beings that brought all their messed-up wiring with them when they died. It was a fault in his creation the Old Man appeared loath to correct. Perhaps he did have a sense of humour, after all.
"You've spoken to her?"
Michael nodded. "Yes. Gave her the deal: a short haunting, no more than 30 seconds, and no one's life to be endangered. First sign of any of that, and we'll pull her out. She said she only wanted long enough to frighten the knickers off Queen Camilla."
"Good," said Gabriel gravely.
"It gets better," Michael informed him, almost smiling. "She chewed it over, and then she said she didn't want to do it after all."
"Good. Whyever not?"
Michael smiled broadly. "She said she didn't want to upset her boys."
Gabriel grinned back. "First line of sanity we've had out of her for …"
"Not quite. She's asked if we could arrange a fatal heart attack for her, Camilla, or a stroke, something debilitating. Preferably something at least painful, if we won't sanction her immediate death."
"She's not the forgiving type, then," Gabriel observed. "As if we didn't know already."
"Not entirely sane, either," said Michael. "When I told her that was out of the question, she threw one of her wobbles."
"Oh dear," said Gabriel. "What else? I can see it in your face, Michael. What else?"
"She's organising … a street party."
"What? Here? Here in heaven?"
"Where else?" Michael shook his head. For an angel, Gabriel could be quite dumb at times. "And she's putting on her princess of the people mantle."
"What do you mean?"
"Well, her idea is to gather together anti-British Monarchy to shout and scream and holler anti Royal Family abuse throughout the ceremony, and burn effigies of Charles and Camilla, and generally call for the end of the British Crown. I thought she'd seek some high-profile speakers to get the whole shebang underway - Thomas Jefferson, or Ghandi, or Robert Mugabe, whoever had a sizeable grudge against the British Monarchy and-or the Empire, but well known. But she's been rounding up no one like that. Instead, she's corralling victims of the Irish famine, the Bengal famine, the Kenyan concentration camps, the Boer concentration camps, the Amritsar massacre, the Cyprus internment, the Aden torture centres …"
"Good grief - a protest riot by the aggrieved deceased! You'd think they had enough of a grievance about just being dead. The Lady Di has surely not persuaded enough … I'm surprised she's persuaded anyone …"
Michael grinned. "Of course, she hasn't. But she thinks she has."
Gabriel growled. "Going solo again?"
"It's a level 5 delusion, Gabs," Michael smiled. "I didn't want to bother you with it."
"Good," said Gabriel, relaxing for a moment. "'Cos we've got another one. The Old Man's had a delegation of Brexiteers insisting we're faking the true state of affairs in late 21st century Britain, moaning about the bad write-ups they're all getting in the history books, making out Britain has disintegrated into a palsied hellhole from which there's little prospect of escape."
"What did they expect?" Michael sighed. "'Suppose the Old Man wants us to come up with a Level 1 delusion for that mob."
"Would that be enough?" Gabriel wondered.
"Probably not. In life they were never inclined to engage with reality. It's a tough one, I know, but we'll give it a go."


A topical suggestion recently from the Biggar Writers, to compose something on the theme of the coronation and the monarchy. I resurrected my favourite angels to assist Lady Di avenge her stolen future.

Mia and The Burnbraes
As they tootle past the garage at the edge of the town centre - heading in - Mia's face rises from the tablet for a moment. Then back down she looks, at the swirl of cartoon colours she endlessly scans, her face once again a rictus of concentration. Grandpops coughs lightly as they pass the bookshop, his eyes briefly alighting on the door.
"Do you think she knows where she's going?" he asks Grannie, driving.
"Oh she does," says Grannie firmly. "Watch."
They turn left into the road that runs past the Memorial Hall, up the hill, past North Back Road and then bear left into Biggar Mill Road. It's downhill from there, from the crest to the burn, down the slope that gives the latter half of the park's name, the Burnbraes. At the foot of the hill there's the burn crossing, a short cobbled section that is almost always flooded ankle or shin high, much to Mia's constant delight. Long before they get there though, as Grannie predicted, Mia clocks where they're heading. In fact, her head pops up from the tablet again as they leave the high street, and stays up until she is satisfied they are going to the park. Assured her day is rolling out to her satisfaction she goes back to her electronic friend, pausing only to acknowledge the splash as Grannie's car fords the burn. Mia is easily coaxed out of the car: it's her favourite place in all of Biggar.
In a flash she's heading for the water, in her bouncy, foot stomping way. Grannie races after her. Mia isn't wearing her wellies - Gran and Grandpops are always forgetting - so keep her to the rest of the park for now is the plan. She will not be denied her water games, but best to leave them till nearer home time.
Grannie grabs the little one at the edge of the watery cobbles and cajoles her in the direction of the swings. Mia squawks, but a nascent tantrum is quelled as the swings swing into view. She loves the swings. There was a time she'd sit on them forever, before Peppa Pig and muddy puddles began to dominate her life, and she'd scream the place down when an exhausted Grannie refused to push her anymore. Today - happy enough swinging back and forth under Grannie's controlling hand, smiling - however, she's got half-a-mind on the burn which, as far as the little one's concerned, is one giant muddy puddle. Gran and Grandpops can tell. Though Mia is now five, she still doesn't speak, her utterances no more than baby babble. But she has ways, audible and otherwise - grins, snarls, gesticulations - that convey her feelings and desires. Everyone is learning rapidly how to read her.
After twenty minutes of swinging, Grannie persuades Mia off the swing and the little one lurches towards the burn. Grandpops holds her back and gets a growl for his trouble. Grannie swiftly takes control, excitedly advising Mia it's time to play on the other equipment. She races past the climbing frames, pauses for a brief turn of the seesaw, but is only really engaged once more when she's across the small bridge at the edge of the play area leading across to the slides. Sniffily, she marches past the baby slide and heads for the big one, tugging Grannie's arm as she goes. Grannie is needed to hoist her up to the platform at the top of the slide. Mia slides down toward Grandpops, scorns his assistance at the foot of the slide, bounces up and heads back to the top. This goes on for some time.
Eventually, Grannie and Grandpops tire and concede it's time to let Mia at the water. She can dry off in the car home. So they about turn, an initially alarmed Mia placated by the promise that soon she'll be jumping in muddy puddles.
There are plenty of them about either side of the cobbled crossing and amongst the grassy edgings. Mia tries them all, several times. Grannie keeps herself close, Grandpops too, but far enough away to avoid being in the way. Experience tells them it won't be long before Mia turns her attention to the giant muddy puddle, the cobbled burn crossing. Today there is only a thin film of water across so the splashes will be low, but the risk of slipping to a painful tumble no less than usual, perhaps higher. Grandpops tests his footing on the cobbles. Yikes - it is slippy.
Meanwhile Grannie's getting anxious. In recent trips Mia has displayed a strong desire to wade into the burn itself. The rivulet may be comparatively shallow and fairly narrow, but the flow is fast, and it is most definitely a danger to a small child, as well as delicately constituted Grandparents. Grannie holds back Mia as she makes to shuffle closer to the burn bank, to ready herself for a reckless plodge.
"No, no, no," says Grannie.
This is not a word Mia likes to hear and she begins to wail. Grandpops sweeps her up and puts her beside him at the edge of the cobbles. She calms instantly. He holds her hand as she steps forward for a tentative splash. Grandpops takes a deep breath as he moves with her. A week before Grannie had been suckered into this manoeuvre and had landed on her arse, soaked from head to toe like her granddaughter. At least, thinks Grandpops, if Mia gets a soaking it'll take some of the mud off her clothing.
But she doesn't fall. She's remarkably well balanced as she makes her deliberate Peppa Pig like stamps in the water. Grannie takes over the hold on her, telling Grandpops to go and fetch the car.
This is the well-worn strategy developed to avoid a prolonged Mia meltdown: bring the car to her instead of trying to drag the poor mite away from the water and have her walk the fifty yards back to the parked car. Lifting her away from the muddy puddles straight into the car, for some reason, causes her less distress. No one knows why; it's something that's learned. Like so much else to do with Mia's behaviour, where there's no ready explanation, but a telling course of action has been painfully deduced.
There's a car coming down the hill and Grannie has to hurry with Mia, stripping the wet clothing from her, strapping her into her car seat, wrapping a blanket around her. Grandpops backs up a touch and allows the oncoming car to pass before rolling forward across the burn and up the brae.
Mia is quiet. The park and the burn and the swings and the muddy puddles are forgotten as she dives back into the electronically generated world on her tablet. She'll remain transfixed until they get home, lost in thoughts she cannot articulate, thoughts and feelings Grannie and Grandpops can only guess at. Sometimes she smiles, just a teeny bit - nothing like the squeals of delight when she's jumping up and down in muddy puddles - but enough to encourage her grandparents to believe she's happy, which is all they really want to see.
